Lance is a Canberra bush dancer and this is Lance's blog. Home page: canberradance.org

Lance is ex-President of the Monaro Folk Society and the older comments are from that period. For information about the MFS and its activities, please see mfs.org.au

If you wish to comment on this blog, please click the link marked "no comments" to be the first to comment, or the link marked with the number of comments at the end of the item. If your comment does not appear within a few hours, please email me.

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canberradance(at)gmail(dot)com

05 August 2011

Back after 2 Months Away

It's great to be back after two months away.

While we were away it seems there was a problem between some Monaro Folk Society (MFS) committee members and our musicians.

The result was that our musicians decided to secede from the MFS. We understand that the dispute arose from the MFS Committee's inability to properly delegate and empower their organisers, to the point where continuing under the current MFS Committee appeared not legally nor socially an option.

In a free association of autonomous activities like the MFS, decentralised management is the only approach that is going to work. If organisers are not authorised to appoint volunteers, book halls, and undertake all the other things that are needed to run their business, it's not going to work. If top level decisions are taken without prior consultation with those affected, it's not going to work.

Any belief that the MFS committee is able to over-ride any decision, no matter how trivial, as if they had the credentials and capability to run everything themselves, is unrealistic, and worse would have the potential to destroy all that is good within the society.

Hopefully the incoming MFS Committee will recognise these simple and timeless truths that apply to any multifaceted organisation like ours.

Perhaps you should be part of that incoming committee, and through sensible democratic leadership ensure that the dance musicians remain part of the society?

We support our musicians 100%. We formed The Bush Dancers display group to promote bush dancing and traditional Australian music and we could not and would not continue without the musicians' participation. They give freely and generously of their time and are a wonderful asset to MFS and to Canberra, the bush dance capital.

There is no immediate change for The Bush Dancers display group. It is an activity of the Monaro Folk Society, as active as ever, and we will continue to lead the display group. We have excellent bookings reaching out to mid 2012 and ongoing generous support from musicians, dancers and event organisers.

There was some disruption to Bush Dance Group (BDG) activities but BDG is now back to operating as usual as an activity of the MFS, pending the election of a new MFS committee at the MFS AGM. No dancers ever left the society. One musician resigned, but has now withdrawn that resignation. The other musicians were solidly in support of both actions. We also remain 100% supportive of that musician and of course of all our musicians.

We have had a fantastic twenty years on various Monaro Folk Society committees, but seriously consider that now is the time for the next generation to begin to take over. A surplus of candidates at the AGM and a packed house will auger well for the future of the society.

The folk society is run by folk like you. If you have a commitment to open and fair leadership, with proper consultation with those affected before making decisions and respect for the competence of those responsible for our various autonomous activities, why not stand? If not you, who? Why not seize this opportunity for a great experience and personal growth while helping a worthy cause?

Regards

Lance

03 August 2011

Results of Micro-Survey #4

The 9 responses to this survey, "a little about you", are shown below. This survey is now closed and the results of this survey, and other feedback, have been particularly valuable in our considerations around the idea of an end of month dance pass.

Q1: Approximately how many MFS dances have you attended in the last year, by type?
Q2: What Non-MFS dances have you attended in the last year?
Q3: What can we do to maintain or increase your participation in MFS dances?

Q1:1 End of Month dances at Cook, Heritage Dance
Q2:National Folk Festival
Q3:You are doing a fine job. Your email communications re what's coming up are clear and concise. I have only discovered MSF in the last 4 months or so.

Q1:EOM - 7; 1st Sat - 6; Colonial Ball; Gala Ball; Bush Capital Ball; Hertitage Week dance; Christmas Dance; Contra 2nd Sat - 3; Irish Ceilis - 2; Irish Set Dance weekend; Monday workshops - 30; DITP - 7; Contra Tuesdays - 18; Irish Set Dance classes - 10.
Q2:NFF dances; Bundanoon Dance Weekend; RSCDS Scottish dances - 10; St Judes school bush dance; Tumut Falling Leaves dance
Q3:Variety of dances / callers.

Q1:None
Q2:None
Q3:Welcome me when I return tentatively to dancing after 6 months of disability-imposed exile.

Q1:4
Q2:6
Q3:Better variety of dances, dances that appeal to more experienced dancers, which would include the less experienced dancers improving their standard of dance. Less walk throughs and more talk throughs, or get someone to demonstrate how the dance goes. Good dance music, by musicians who know the correct beat to the different types of dance

Q1:zip
Q2:zip
Q3:keep up all the communication and never give up!

Q1:40
Q2:0
Q3:In advertising MFS dances and classes, explicitly encourage men to attend so that the many women without dance partners can enjoy the events more than they do at present.

Q1:none
Q2:Many National Folk Festival dances every year since 1999 Most years I go to TSDAV's Portarlington weekend Living in Adelaide, I attend most ATBDS dances (Maureen Morris's)
Q3:I will maintain my participation in NFF and Portarlington, but am unlikely to increase participation at other places due to the distance from Adelaide.

Q1:3 contra dances
Q2:Nil
Q3:keep sending the dance news list. Very useful to see what is coming up but my interest has turned to other things. Not enough hours in the day : )

Q1:1 ball, 10 contra, 10 bush
Q2:All of those
Q3:Have more dances in school holidays


24 May 2011

Final Results of Micro-Survey #3

Thanks to those who have responded to our survey on Intergenerational Opportunities. The response was disappointingly low numerically, but those responses received were of high quality and certainly useful.

The surveys, dancing, musicians and organisation all depend on your continuing support. Please don't just take it for granted that all of this will still be there next time, or it may not be.

Why not dance while you can, and participate fully in everything that goes with it?

Here are the 6 responses, in full, a valuable resource for all our organisers:

Q1. How can we attract a younger bush dance crowd, and encourage younger folk to help?

1) One way is through their kids! Many "young folk" in their 30s and 40s are in the midst of child raising and one method to encourage more to bush dancing is through family bush dances. MFS presently hold one Kids Dance in December. Could this be increased to two? Could there be more opportunity for bush dancing displays at school fetes, lessons at schools/pre-schools etc.

Personally, I have wonderful memories of bush dancing as a child (strip the willow, barn dance, pride of erin etc). I grew up in the country and attending dances was a great social occasion for the small local schools. These experiences have encouraged me to get back involved now as an adult (with kids of my own - being 4 and 2 years old). The fact that you can dance with a lot of different people really makes it a fun experience. Also, from a parents' perspective, it is more accessible, social, wholesome, energetic (not to mention being accompanied by "live" music!), than many of the types of kids dance offered by dance schools (such as hip-hop dancing etc).

There is the interesting element of history, and of course the dressing up! I see many ways to "market" bush dancing as not only fun for the family, but for kids and parents individually. As for "young folk" in their 20s, well, remembering my 20s, I was focused on study, work, moving house, socialising and looking back couldn't really see bush dancing in the mix. My thinking is to focus on folks in their 30s and 40s who has passed (one hopes) to a better age of maturity, reflection and being settled. Get the kids interested, spark their enthusiasm, go dancing in "cool" old/historical places in great dress ups etc etc. Give them a "taste" for life!

I think the focus should be on being seen, rather than social media (internet, face book etc). Technoloy is useful to record experiences, give updates etc. However I really feel that the beauty of bush dancing is how it feels (sight, sound, movement), which cannot be captured well online. [PS Happy to help in formulating, brainstorming, implementing any plans along these lines... so there is bush dancing about for my kids when they grow up and for me as I grow into (I hope) an "inspiring oldie"!)]

2) The example which jumps out is Melbourne's Borderline Kaylee. They are youth group run by themselves for themselves. One saw at the national this year several of them coming to the regular events. Teens and uni students need an environment without we the older generation. Also, looking at the swing crowd, lively dances rather than those quadrilles where only the active couple does much.

3) Young woman are put off by being monstered. Older male dancers need to behave like dutch fathers. Dance is fun. We need to expose youngsters to easy, fun dances that are energetic and lively. Peter Foster is an excellent fast caller for that purpose.

4) Go to schools and universities and advertise. There are probably lots of people who might be interested in giving the dances a go and don't know about them being on. Even if they don't want to go, their parents might make them, so you'd get a much greater turn out.

5) show young people, like Simon, in advertising photos

6) Me and my mates went to the Bushwackers at the national and it was great The band was good and there was mostly young people. And the Borderline Kaylee dance was awesome. We went to some of the other dances but they were mainly old people tho the music was good there to, But it was a bit off to have to dance with grandies. The contra was good too but there wer a lot of oldies there too.


Q2. Please indicate your age bracket:

Response/Percent/Count

Under 20 1

20-29 1

30-39 1

40-49 0

50-59 1

60-69 2

70 or over 0


18 April 2011

Final Results of Micro-Survey #2

We received 204 votes in 25 responses to our second micro-survey, your favourite bush dances. Please see Wednesday, March 16, 2011, below for the final results.

06 April 2011

Reflections

In the lead-up to the MFS Committee elections in 2008, I published some ideas about "the essentials of a successful MFS committee" on the web, and also two other members and I had these ideas printed and distributed at MFS events.

These principles are timeless and they are still there at http://dance.pcug.org.au/essentials.htm

I was elected as President in 2008, and the two fellow members mentioned above were also elected. We saw a society in need of help, and we aimed high, but how did we go? Here are some reflections on a very satisfying two years, based on my recollections.

- We behaved ethically and openly. We consulted with stakeholders before making decisions that would affect them, and invited those particularly interested in an item along to our meetings. We advised members of our decisions along with reasons, and made our meeting agendas and minutes freely available to members.

- The public web site was totally re-developed and a collaborative Web Content Management system implemented.

- The members' web site was created

- The dance program was re-vitalised with the Bush Dance Group blooming and the establishment of the very successful End of Month Dance Committee.

- Simple reporting and accountability standards enabled us to responsibly share leadership through pre-approved budgets, delegation and empowerment. All organising teams were encouraged to promote and run their own activities.

- Improved financial management reporting on all activities of the society, including assets, was one area that was going to take more than two years, but tremendous strides were made.

- We established a PayPal account making possible secure on-line payments.

- MFS Committee meetings were business-like two hour meetings with equal air-time for all, in a professional board-room setting with proper voting and majority decisions

- We filled all positions, with no-one wearing two hats.

- We made a start on publishing "Roles & Responsibilities" for each volunteer position.

I commend these principles to the next generation of elected MFS Committee members and office-bearers, and urge any member who agrees to stand up and help the society. It's worth it!

Cheers
Lance

16 March 2011

Results of Canberra Dance News Micro-Survey #2

We received 204 votes in 25 responses to our second micro-survey, your favourite bush dances. This survey is now closed, so these are the final results.

The 204 votes were spread over a surprisingly diverse range of dances, and even counting dances was a bit difficult. For example various versions of the Pride of Erin were nominated, progressive, "all different prides of erin", Irish etc. As well as showing the variants, I added a total of all Pride of Erin responses, and this category came out as the front-runner by a nose, with 10 votes. The Maxina came in second with 9 votes followed by Australian Ladies on 7 and then in alphabetical order on 6 votes:

Arkansas Traveller
Gypsy Tap
Lancers, The
Posties Jig

But the voting was close and the main message is that we have a fantastic diversity of bush dancers and their favourite bush dances, and that is a great thing. The bush dancing scene has certainly come a long way since the 1970's.

The questions were:

Q1. Please list your favourite bush dances in order, maximum 10 dances. 
Q2. Please indicate your bush dancing experience level as you see it:
A) Beginner
B) Intermediate
C) Experienced
D) Retired (Experienced but for whatever reason, no longer an active bush dancer)
E) Other (please describe)

The responses in full are shown as favourites{experience}, with numbering and [our comments] added:

Q1 {Q2}

1. 1)Less boisterous gallops and such, 2) less couples dances.{A}

2. Australian dances such as 1)Alberts and 2)Lancers3) Dances that aren't couples such three facing three because there aren't enough men{B}

3. 1)Merrilyn 2)Evening Three-Step 3)Virginia Reel 4)Australian Ladies 5)Borrodale Express 6)Numeralla Jig 7)Dashing White Sergeant 8)Gossamer 9)The Drongo 10)any other dances that need an odd number of dancers{B/C}

4. 1)any couples dances 2)any waltzes 3)Postie's Jig 4)Arkansas Traveller{xperienced}

5. 1)all different prides of erin 2)more quadrilles, 3)federation reel, 4)federation waltz, 5)thrushes nest, 6)pam gainsford delight, 7)ithica polka, 8)polka quadrille{experienced}

6. 1) Arkansas Traveller 2) Levi Jackson Rag 3) Eightsome Reel 4) Sweets of May 5) Tivoli Galop Quadrille 6) Pride of Erin 7) Maxina 8) Parma Waltz 9) Gypsy Tap 10) New Parliament House Jig {C}

7. 1, Posties's jig 2. Arkansas Traveller 3. Frangapani Waltz 4. Silver City Reel 5. Federation Waltz 6. Varosvienna 7. Princess Polka 8. Tivoli Gallop Quadrile 9. Dashing White Sargeant{c}

8. 1)Parma Waltz, 2)Gates Of Moye, 3)Australian Ladies, 4)Numerall Jog, 5)Evening 3 step, 6)Gypsy tap 7)Buffalo Gals, 8)Queen of Sheba, 9)Swing Waltz, 10)Maxina{C}

9. 1)Alberts 2)Australian ladies 3)Blackwattle Reel 4)Blaydon Races 5)Contra dances (any) 6)Country Bumpkin 7)Eightsome Reel 8)Gay Gordons{C}

10. 1) Posties Jig 2) Eightsome Reel 3) Love 'Em & Leave 'Em 4) Frangipani Waltz, 5) Sweets of May, 6) Lancers 7) Dashing White Sergeant, 8) Levi Jackson Rag, 9) Merry Widow Waltz, 10) Gypsy Tap. {C}

11. Real bush dances the Bushwhackers do e.g. 1)Opera Reel 2)Smith St Shuffle (Zorba) 3)Flying Pieman 4)Waves of Bondi 5)Drongo 6)The Backstep 7)Madmans Woodpile 8)Ned's Last Dance 9)Stockyards 10)Kangaroo Hop{D}

12. 1)Levi Jackson's Rag 2)Love 'em & leave 'em 3)Stour County Quadrille 4)Waltz Country Dance 5)Virginia Reel 6)Turn of the Tide 7)Marching through Georgia 8)Swing Waltz 9)Gates of Moy 10)Barn Dance{Dancer looking for some variety}

13. 1)Highland scottische, 2)Gypsy tap, 3)Palmer waltzx, 4)Palais glide, 5)Moonlight saunter, 6)Prid of Erin progressive, 7)Eightsome reel, 8)Valetta, 9)Charmaine, 10)La bomba These are dances they did in the bush near Rochester when I was younger and they still do them. Theres lots more but that’s 10. They are done the country way, not the ballroom way for competition.{E (still active but not very much bush dancing because it's not really bush dancing it's mostly colonial.}

14. 1)waterfall waltz 2)Margaret waltz 3)The Lancers 4)Soldiers joy 5)Pride of Erin 6)Three Sea Captains 7)Maxina 8)Virginia Reel/Marching through Georgia (? includes strip willow?){C}

15. 1)Australian Ladies 2)New Parliament House Jig 3)Love 'Em and Leave 'Em 4)Arkansas Traveller 5)Southern Cross 6)T.A.G. 7)CHOGM Pentrille 8)Posties Jig 9)Armstrong's Waltz{C - Experienced}

16. 1)Posties, 2)Love em and leave em, 3)Levi Jackson, 4)Waves of tory, 5)Waterfall waltz, Some Lucy Stockdale dances, 7)Sydney bushies,8)Pride of erin progressive, 9)gay gordons,10)Lancers.{C}

17. 1)The Lancers 2)Marie's Wedding 3)Australian Ladies 4)Banner Waltz 5)Queen of Sheba 6)Love em & Leave em 7)Waltz Cotillion 8)Symmetrical Force 9)Levi Jackson Rag{Intermediate}

18. 1)Swing wWaltz 2)Maxina 3)Pride of Erin (Northern Ireland version) 4)Heilan' Man's Umbrella 5)Waterfall Waltz 6)Queen of Sheba 7)Australian Ladies 8)Mairie's Wedding 9)New Parliamnen House jig 1)Banner Waltz{B}

19. 1)Gates of Moy 2)Australian Ladies 3)Eightsome reel 4)Buffalo Gals 5)Charmaine 6)Virginia Reel 7)Numerella Jig 8)Lloyd Melhuishs Birthday Dance 9)John Carolls dance about building a roof 10)Other dances by members - there are lots{C}

20. 1)Swing Waltz 2)Pride of Erin 3)Valette Waltz 4)Gypsy Tap 5)Maxina{B}

21. 1)Pride of Erin 2)Waltz Cotillion 3)Maxina 4)Seige of Ennis{D}

22. 1)royal irish quadrille 2)maxina 3)victory waltz 4)irish pride of erin 5)varsovianna 6)lancers 7)king geo square 8)federation waltz 9)queen of sheba{experienced}

23. 1)Swing Waltz 2)Margaret's Waltz 3)Postie's Jig 4)Victory Waltz 5)Soldier's Joy 6)Maxina 7)Pride of Erin 8)Circle Waltz 9)Waterfall Waltz 10)Arkansas Traveller{Intermediate}

24. 1)Numeralla Jig 2)Dashing White Sergeant{c}

25. 1) Barn dance, 2Maxina, 3)Gypsy tap, 4)Circassian circle. 5)Any slow, simple dance with the exception of the birthday candle one.{}

Summary of Responses:

COUNT

10 Pride of Erin [Total]
9 Maxina
7 Australian Ladies
6 Arkansas Traveller
6 Gypsy Tap
6 Lancers, The
6 Posties Jig
5 Eightsome Reel
5 Levi Jackson Rag
5 Pride of Erin
5 Swing Waltz
4 Dashing White Sergeant
4 Love 'em & Leave 'em
4 Numeralla Jig
4 Queen of Sheba
4 Virginia Reel
4 Waterfall Waltz
3 Federation Waltz
3 Gates of Moy
3 Gay Gordons / Madmans Woodpile
3 New Parliament House Jig
3 Parma Waltz
2 Alberts, The
2 Banner Waltz
2 Barn Dance
2 Buffalo Gals
2 Charmaine
2 Drongo, The
2 Evening Three-Step
2 Frangipani Waltz
2 Margaret's Waltz
2 Marie's Wedding
2 Odd-number Dances
2 Pride of Erin Progressive
2 Soldier's Joy
2 Sweets of May
2 Tivoli Galop Quadrille
2 Valetta Waltz
2 Varsovienna
2 Victory Waltz
2 Waltz Cotillion
2 Waves of Tory / Bondi
1 Armstrong's Waltz
1 Black Wattle Reel
1 Blaydon Races
1 Borrodale Express
1 CHOGM Pentrille
1 Circle Waltz
1 Contra Dances (any)
1 Country Bumpkin
1 Couples Dances
1 Federation Reel
1 Flying Pieman
1 Galopede / Backstep, The
1 Gossamer
1 Heilan' Man's Umbrella
1 Highland Scottische
1 Ithica Polka
1 Kangaroo Hop
1 King George Square
1 La Bomba
1 Lloyd Melhuishs Birthday Dance
1 Marching Through Georgia
1 Member-written dances
1 Merrilyn
1 Merry Widow Waltz
1 Moonlight Saunter
1 Ned's Last Dance
1 Oxo Reel / Opera Reel
1 Palais Glide
1 Pam Gainsford's Delight
1 Polka Quadrille
1 Pride of Erin, Irish
1 Pride of Erin, N.Ireland
1 Prides of Erin, all diff
1 Princess Polka
1 Quadrilles
1 Raising the Roof
1 Royal Irish Quadrille
1 Seige of Ennis
1 Silver City Reel
1 Slow, Simple
1 Smith St Shuffle (Zorba)
1 Southern Cross
1 Stockyards
1 Stour County Quadrille
1 Sydney Bushies
1 Symmetrical Force
1 T.A.G.
1 Three Sea Captains
1 Thrushes Nest
1 Turn of the Tide
1 Waltz Country Dance
1 Waltzes
1 Circassian Circle

LESS
1 Gallops, boisterous
1 Couples Dances

204 TOTAL VOTES

[Updated 18 April 2011 LC]

16 February 2011

Freedom of Speech

My writings in this blog are my factually based and sincerely held opinion. I take no responsibility for comments posted here by others. I may disagree with some opinions expressed, but I will strongly defend everyone's right to freedom of speech.

Could I suggest polite comments? Offensive language can be a huge distraction, and offended readers aren't going to get your real message. If you disagree with someone, it’s appropriate to state your point of view, but never appropriate to use insults or personal remarks. It’s perfectly fine to offer constructive criticism, just be polite. If you see others writing disrespectful comments, ignore them. Paying attention will just encourage them.

I have never had to censor any comment, and hope I never have to. If I ever do, I cannot advise anonymous authors, but they will probably realise that their comment could not be published and may try again with something more appropriate. Most opinions, clearly identified, are okay, but false statements and disparaging remarks are not.